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We round out our microphone reviews with the new dynamic Mojave MA-D.Įvery microphone needs a good preamp in that category, we have the new TRP500 from AEA and the Clarett+ OctoPre from Focusrite. ![]() #Mixchecker from audified reviews pro#In further vintage-inspired yet modern territory, we try out the New Twenties microphone from Tierra Audio and The Munich microphone from ADK Pro Audio. Then from Heiserman Audio, we bring you the premiers of the H 251 and the TM-12A from Pearlman Audio. From Warm Audio, we look at the WA-47F and the WA-CX12. We get things off to a screaming start in the review department with four modern microphones unapologetically based on some of the most classic mics of all time. Our editorial team also offers up further tips, tricks, and treats for their use. ![]() It’s also the annual issue of RECORDING Magazine where we look at both classic and contemporary considerations for your mic locker. This MixChecker Pro, as a product, only offers some merit as a secondary check for convenience, and rather pre-assumes the user already has their main excellent monitoring in place – but ironically such a person with objectively truly excellent monitors would not need to make those secondary checks.October is a time of turning leaves, falling temperatures, costume parties, and Jack-o’-lanterns. If you want your music to sound good, you have to monitor / mix / master on the best, highest resolution, most accurate speakers you can, to truly gauge its excellence or score – if those speakers can’t do “excellent”, how will you even know if or when you’ve achieved it? You need to be able to compare your music results to the very finest quality music you know of, and be able to measurably hear every degree of difference – not see how far you can keep degading fidelity and reducing bandwidth before it becomes unacceptable or intolerable. Those people won’t have even read this far through this paragraph of text. Why totally wreck your mix overcompensating for the pathetic audio performance of a small mobile device, just to slightly benefit those people who are so disinterested in your music they can’t be bothered to listen to it seriously in the first place, and probably only for a few seconds because most YouTube and Facebook viewing stats figures show average viewers have barely a 15 second attention span to whatever they play before they get bored and switch to something else anyway. So what?! What are you gonna do?! Pile on tons and tons and tons of bass EQ boost? No point anyway, because it won’t be reproduced…. Okay, so this proves your mix will sound crap through a mobile phone or laptop (as if you didn’t know that already!!!) – absolutely no bass below 300Hz. #Mixchecker from audified reviews for free#You can test the software for 30 days for free and without restrictions. #Mixchecker from audified reviews mac osx#The plug-in runs on Mac OSX 10.9 or higher and Windows 7 or higher as AAX, AU, VST and VST3 in 32- or 64-bit. #Mixchecker from audified reviews update#If you own MixChecker, you can pay with a special update code (you will receive it by e-mail) and reduce the price to USD 59. A test is definitely worth a shot! Price and availabilityĪudified MixChecker Pro is available on the manufacturer’s website for USD 199. You can also control the plug-in remotely via a web browser. In addition, you can define and re-adjust almost all settings yourself, add distortion, and use an Auto Advance function, which lets you browse presets quickly. The pro version has also been optimized to produce better latency and phase-linear sound. ![]() MixChecker Pro offers over 60 speaker models in different sizes, and there’s also the possibility of adding ambient noise (subway station, in a vehicle, in the park, and so on). By clicking on the different pictures in the graphical user interface, you can immediately turn your monitors into another set of monitors. ![]() You have to place the plug-in on the master channel of your DAW, so that the sum is completely passed through the tool. ![]()
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